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Piano by Patrick PhillipsI re-read this poem again the other night and was blown away all over again.
The first time I read it, I was taken by the image of the piano itself, the brokenness. I really didn't get much past that.
But, the poet is an old friend and the poem was made famous by Garrison Keillor, so it stayed in my brain.
The leaves and trash built up, blew away, returned. Then I read it again.
The cracked harp began to sing at the end. I always knew it held music, but I never quite heard it. Yet, like any good piece of music, my appreciation for it had grown in the interim between first reading(s) and this most recent encounter. I'd gotten the wax outta my ears. A high wind, howling, had come past to take the mess away.I'm glad that Mr. Keillor posted the text of, Piano, on his website so that it could be shared easily with you. I recommend listening to him read, as well. I recommend the whole collection, Boy, a fine collection of verse and a great addition to any library.
Sampsell: 'The Parachute'What do we say to someone who knows not what we are saying? Why do we even try? Is our message that urgent, that dire, that we must tell even someone totally illiterate in our language?I think so. I talked some poor bastard's ear off in Prague. I can't remember what I told him, or why, but only a few seconds of intelligible communication passed between us there in the lobby of that hostel. It was late. I was drunk.Sampsell presents us with a scene, a simple scene, which is often the best place for a flash to occur. Single setting. Two characters. Simple, compressed.We feel the narrator's bafflement in the face of a non-English speaker. He searches for "handles" in the language, words or phrases to hang onto. "Parachute" is what he finds. The man lands in his brain. A story is told, contact made.A story within a story. Metafiction? Perhaps. But, the story-within is told in one word, "Parachute." That's compression!Lots of fun. I recommend reading this Flash for yourself. Report back, tell me what you think. Really.